I've returned yet again, this time with my most complex image manip. Hope you enjoy!

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Recently, a resale shop in L.A. got quite the addition. Among the various articles of clothing, assorted forms of technology, and cheap furniture, there was quite the find. From far away, it just looked like any other armchair, albeit decked out in weird colors.

Up close, however, it was covered in a unique sort of printing. Various parts of the actress Ana De Armas covered the recliner. Her face ended up on the main cushion, her arms became the titular arms of the chair, and her breasts ended up on the back cushion. 

It was quite the piece of furniture. In fact, it didn’t even begin as an armchair. The recliner with the printed visage of Ana De Armas was, in actuality, the actress herself. You may ask, how did all this start? Well, it all came down to a movie she had recently done. 

The Cuban-American actress had been cast in a new spy movie. The plot, which really wasn’t all that important, was mainly impacted by how her character worked. In the film, she was the lead female spy, a spy who could disguise herself as anything.

As such, throughout the film, she would become various forms, such as her best friend, a car, a dog, and, in a small scene, an armchair. Despite that fact, the scene was the last one shot, as it was the most complex. Instead of using CGI, they had a chair custom-built.

So, they had Ana go to the furniture shop to get detailed images of her body, in costume. After which, she left the production. She had gotten all her close-ups shot, so she went to go shoot another film. However, she never left the shop that day.

The chairmaker there wanted her recliner to be as true to life as possible. Due to this, a specific material was needed. Ultimately, two chairs were made, one for close-ups, the other for farther away shots. Let’s just say, the one in close-ups was uncaningly similar to Ana.

Ana had no say in what happened to her, so she spent a lot of time covered in plastic or on set. On the days she was on set, one of the background actresses ended up sitting on her, both on and off camera. With no way to fight this, she just had to sit there.

After the shoot wrapped, they put one of the chairs into storage, while the other one was returned to the chairmaker. Not long after she was back with her, a peculiar sight was found in a L.A. resale shop. 

Occasionally, an interested customer would try her out, giving Ana the armchair a frontrow view of their ass. Yet, no one had bought her yet. After all, she was still worth quite a hefty price, even in furniture form. The actress just hoped that whoever found her would help her out.

If not, then her cushiony form would give them some comfort.

The image(s) used don't belong to me and I will remove this post at the behest of the copyright owner(s). I claim no ownership of the image(s).