by John Quill Terryl aka J.Q.T.


Illustrationed by Tarsis


Originally Published in Bondage Life No.  24

Scanned and Transcribed by guardian46w
Story Codes: M/f, F/f, cons, reluct, bdsm, toys, disp, video, X


IX. Trading Places


Well, don't stand there gaping," said Gaylord, "help me get her inside."

Just inspecting my gift," said Robyn, Savoring such smaller details as ridges of soft, white skin rising along the path of pliant but flesh-pinching cord.  It was just like a John Willie drawing.

"That's long enough," said Gaylord, working his hands underneath his package's knees and waist, lifting her clear of the trunk, and setting her down on her feet.  Limbs tied in the usual four places did not prevent her from standing, albeit with knees slightly bent and shoulders thrust slightly forward.  Except for a wisp of panties, a collar locked on her neck, and a ball tightly strapped in her mouth, all she was wearing was rope.
Studio04 by guardian46w


"What do I do with the collar?""Anything you want.  I don't place conditions on gifts."

"No gift is complete until it has been delivered.  After I unlock the door, carry her into the house."

"That won't be necessary," said Gaylord, unlocking the door himself and nodding to his near naked gift.  Boobs flopping and long hair flowing, Von Dreck bounced around the Buick, past an incredulous Robyn, and into a carpeted hallway.

"An impressive demonstration," said Robyn, "but you'll still have to carry her upstairs."

"She can make it on her own," said Gaylord.  "While you two discuss old times, I'll rustle us up some steaks."

"For two or for three?"

"That's up to you.  Tonight, I am only the chef."

Gaylord was right about Von Dreck, who hopped comically up the stairs and waited for Robyn to lead her into the extra bedroom featuring the big brass bed.

Using just the tips of her fingers, Robyn pushed Von Dreck down on the bed.  "I don't think you're returnable," she said, unbuckling the efficient gag, "so I don't have to be extra gentle, but, first, let's have a little talk."

"Any particular subject, or do we play twenty questions?"

"Let's start with your name.  No one is named Von Dreck."

"That's one of Gaylord's little jokes.  My real name is Doris Schultz."

"Was stuffing you into the trunk another of his little jokes?"

"No, I thought that one up myself.  After you carried on about the scene on the roof, he was ready to boil me in oil.  I thought that this little gesture might get both of us off the hook."

"You lie even better than you tie.  If it wasn't for the fact that I never told Gaylord a thing, I might almost have swallowed your story."

"Then it must have been Herbert who told him."

"You mean Herbert was watching me squirm all the time I was staked out on the roof?"

"That seems like a safe assumption.  Spying for Gaylord is one of his favorite activities."

The frown crossing Robyn's face slowly faded into a grin.  "Well, it could have been worse," she quipped.  "He only got to see one side."

"Are we through talking?"

"Only about Herbert.  Tell me about Doris Schultz."

"There's not much to tell.  I used to live in Milwaukee.  If I could save enough money, I'd like to go back to school."

"You should ask Gaylord for a raise."

"He can hardly pay me as it is."

"How did you hook up with Gaylord?  I don't suppose you answered an ad."

"Word gets around.  I know most of the regular models."

"How long have you been into bondage?"

"I don't know what you mean by 'into'.  I got stared in the usual way."

"Don't tell me," said Robyn sarcastically.  "You had brothers who tied you up."

"We can do without the sexist assumptions.  Actually, it was my sisters."

"Okay, I give up," said Robyn, Remembering what was left of the cord stashed in Gaylord's tool box.  "I'm going to change your bondage.  It's good, but it isn't mine."

When Robyn returned with more rope, Von Dreck was curled up on the bed.  "Roll over," Robyn directed.  "I am going to retie you arms.  I can handle you without ropes, but, just to be on the safe side, your legs will stay as they are until I finish with your arms.

Gaylord's knots were so tight that Robyn had to get scissors.  Von Dreck neither resisted nor complained as Robyn retied her arms even though marks still attested to the strictness of her previous bondage.  Peeved at Von Dreck's indifference, Robyn pulled the elbow cords extra tight.  "I thought they would touch," she said, before running a line from the cords just above Von Dreck's knees to a ring on the front of her collar.  Several more turns of cord, connecting ankles to wrists, had to be routed around Von Dreck's now intervening buttocks.  "Now, open your mouth," said Robyn, "so I can put back your ball gag."

"Could I have a drink of water, first?" It was as hot as blazes in that trunk."

"My God!" thought Robyn, "I'm getting as bad as them," When she returned with the water, there was no time for guilt.  Von Dreck sat grinning on the bed, completely free of all cords.

"I don't know how you did it," said Robyn, "but this time I'll tie you so tight that even the Countess would approve."

There was one more surprise for Robyn.  Only a few minutes later, she found herself flat on her stomach, hands roped behind her back.  "You damn little bitch!" she exclaimed.  "How did you manage that?"

"I grew up in a tough neighborhood, but there's no need to take it so hard.  All that you have to do is give lover boy a call."

"You'd gag me before I could scream."

"Have you every tried gagging a subject who doesn't want to be gagged?"

"No, but I'm sure that you have many times."

Von Dreck pursued her advantage.  "Can it be that our new bondage mistress is ashamed to call for assistance?  Oh well, let me untie your hands."

"That doesn't sound like the girl I've grown to know and hate."

"I'm still that same girl," said Von Dreck.  "Do you think you can tie her up right?"

"I thought so ten minutes ago."

"Listen, no one hates sloppy bondage more than Gaylord.  Before you start in on me, why not let me give you a lesson?"

"I thought that's what I had been getting."

"Maybe you were a lousy student.  Hold out your hands, and this time keep your eyes on the cords."

Robyn shrugged, sat down on the bed, and compliantly offered her wrists.  "Doesn't Gaylord ever get tied up?"

"No, it's not in the cards," said Von Dreck, "but, if you want to play the field, there are plenty out there who do."

"Gaylord will do fine," said Robyn, her wrists by this time neatly corded.

"I could tie them much tighter," said Von Dreck, "but this way they can stay tied all night without any ill effects."

"That's what I was afraid of."

"Just study the path of the cords, and you'll be a bondsman in no time."

"Bondsperson," Robyn Corrected.

"Exactly," said Von Dreck, "and no bondsperson worth her salt leaves knots within reach of teeth.  After I tie your legs at the ankles and above your knees, I'll tie your wrists to your ankles."

"Is all this still part of the lesson."

"Of course.  Tuck you knees under your chin so I can secure your arms." Von Dreck secured Robyn's arms with cords running under her knees.

"Well, you've done it again," said Robyn.  "How long am I in for this time?"

"Just until I pick out a dress.  I may try on three or four, and I don't want to get them all soiled.  I'll have to put you on the floor to make more room on the bed."

"It's refreshing to be tied up by someone who respects other people's property, hey!  take it easy.  I don't need a broken hip."

"You'll have to be gagged.  A resourceful subject might be able to gnaw on the cords."

"If you skip the gag, I'll promise not to gnaw."

"No, this is your first formal lesson, and I don't want to be unprofessional.  Good, now roll over on your back and I'll tie your ankles to the crossbar."

After about 20 minutes, Von Dreck finalized her selection and untied her hapless student.  "Alright, do your damnedest," she said.  "After all, that's what we're here for."

Understandably hampered by stiffness, Robyn gathered up all the loose cord and deposited it neatly on the bed beside the discarded dresses.  "I don't know about you," she said, "but I'm in the mood for a steak."


X. What's In A Name?


"The meeting will be short," said Gaylord.  "I have an appointment at the bank."

"What meeting?" asked Robyn.

"The one scheduled for yesterday," said Von Dreck.  "As you may recall, we were busy breaking in a new slave."

"Anything urgent?" asked Gaylord.

Von Dreck flipped through her notebook.  "Tonight is my bondage class, and the movie club meeting has been set for the last Thursday in the month.  I mailed out the invitations to the Sweet Gwendoline party.  I'm expecting about twenty-eight."

Robin's eyes widened.  "We have only twenty-eight members?"

"Of course not," said Gaylord.  "Only special members get invited, and Von Dreck has an uncanny gift for screening out creeps and phonies."

"If Gaylord had his way," said Von Dreck, "everyone would get invited, even if they couldn't pay."

"It's his company," said Robyn.

"It may not be much longer," said Von Dreck, "unless he starts delegating more authority."

"In other words, let you run the company."

"Let's get on with the meeting," said Gaylord.  "Have we shot any new layouts?"

Von Dreck handed Gaylord some photos.  "The pickings were kind of lean.  I took theses out on the roof."

"You can't show him those," said Robyn, snatching them out of Gaylord's hands and starting to rip them up.

Gaylord and Von Dreck exchanged glances, then pounced on the frisky offender.  With Gaylord doing the holding and Von Dreck doing the tying, Robyn soon found her wrists in what, for the last two days, had become a too common condition.

"You can't tie up a vice president," complained Robyn.

"I don't know why not," said Gaylord, "but I'll have Von Dreck check the bylaws."

"There's nothing against it," said Von Dreck, "but I'm sure there are stringent penalties for destruction of corporate property."

Wrist tied in a way that locked arms in a folded position did not prevent untethered fingers from launching another attack against what remained of the photos.  "Immobilize her hands," said Gaylord, "before she wrecks the whole studio."

"You'll ruin my skirt," said Robyn, recalling the path of the cords that on two different recent occasions had prevented her hand from meandering.

Von Dreck knotted one end of a cord to a handful of Robyn's hair, then knotted the other end to Robyn's already bound wrists.  "The last think we want to do is wrinkle a vice president's skirt.

Gaylord contributed to the bondage by handcuffing Robyn's ankles, then proceeded with the meeting as if there had been no interruption.  "Anything new from the publishers?"

Von Dreck handed Gaylord a magazine.  "Here's something from Theridion.  They call it 'Foxes in Bondage'."

After thumbing through the first 30 pages, Gaylord paused to study the center fold.  "Their bondage hasn't improved, but they sure have upgraded their models."

"You have to be kidding," said Robyn, once again a participant in the meeting.  "Her hair is atrocious, and she's much too broad in the bottom."

"She's not posing for Vogue," said Gaylord.  "I'd say her dimensions are just right."

"Whats wrong with the bondage?"

"Apparently, not very much.  Theridion is very successful.  It even buys some of our photos.  Still, it's more in the spirit of Klaw."

"I thought Klaw was one of your heroes?"

"He still is.  He took bondage out of the closet.  He published Willie and Stanton.  He immortalized Betty Page, and Lord knows how many others.  His legal fees must have been staggering, yet the price of a bondage photo never rose above 40 cents.  He's a monument to the free enterprise system, and his bondage wasn't all that bad."

"Then why did you put him down?"

"Let me try to explain," said Von Dreck.  "Gaylord agrees with John Savage that it takes a personal interest to turn out a top-notch product.  Willie had a personal interest.  Klaw was essentially a merchant."

"Is that why we call ourselves the NFB Corporation?"

"Huh?"

"You know, the no fake bondage company."

"That's very imaginative, Said Gaylord.  "I may use it in our next bulletin.  Actually, the initials are a carry-over from my former mail order business."

Robyn turned her eyes to Von Dreck, who, her face a study in innocence, appeared to be studying the ceiling.  "That's one more I owe you," said Robyn.

"This is all very interesting," said Gaylord, "but if you ladies don't mind, I declare this meeting to be over."

Robyn waited for Gaylord to leave before complaining to Von Dreck.  "This is really uncomfortable," she said, "I can't even straighten out my head."

"All in good time," said Von Dreck.  "Just like you said last night, it's time we had a little talk."

"About what?"

"You know about what, and I know about what, so why don't you drop the act?"

"Are you going to tell Gaylord?"

"That depends on your story."

"You win," said Robyn, slumping slowly to the floor and ending in a sitting position.  "It will be a relief to tell someone.  When I started getting serious about Gaylord, I thought the main problem would be the fact that I had so much money.  Instead, it was his interest in bondage.  It was worse than another woman."

"So you decided to become a bondage model?  You'll have to do better than that."

"I posed only once.  I just wanted to learn what bondage was all about."

"Did you?"

"Not really.  It was all very businesslike.  All that they wanted was their pictures."

"What was the slave thing all about?"

"After the modeling fiasco, I concluded that the only way to find out what I had to know was through one-on-one bondage with Gaylord.  I could have said 'tie me up', but that wouldn't have been the real thing.  I decided to goad him into it."

"How did you go about that?"

"It wasn't easy.  I slept late in the morning I left dirty dishes around.  I made little nasty remarks.  You wouldn't believe how dense Gaylord can be sometimes."

"So what did you finally learn?"

"That was the weirdest part of all.  I expected to be teased and fondled, maybe even abused.  Instead, I spent most of my time tied to a bed or a door while he was off playing golf or tinkering with his car."

"That's how bondage sometimes goes Here, let me untie your wrists."

"Tell me one thing, Von Dreck.  How did you figure out that I was the girl in the centerfold?  With the wig and the gag and all of the special makeup, even Gaylord couldn't tell."

Von Dreck pinched Robyn's bottom and winked.  "If you really must know," she said, "I never forget a tush."


XI. Returning A Favor


"Thanks for not telling Gaylord."

"Don't thank me so fast.  I'm going to ask for a favor."

"It must be some favor if Madame de Sade has to ask."

"It's only a bondage position."

"If you thought it up, I'm sure it's a lalapalooza."

"I didn't think it up.  The credit goes to a little known bondage author who did some writing for Klaw, but, so far as I know, I'll be the first one to try it on a real live subject."

"What makes it so special?"

"Do you really want to know?"

"No, I suppose not.  Is there still time to change my will?"

"I've already set up the cameras.  After I take a few stills, I want you on videotape."

"Any particular costume?"

"What you have on will do fine.  I'd like to capture the mood of the old detective magazine covers.  Do you mind if I rip your blouse?"

Studio06 by guardian46w

"Mind?  Why should I mind?  If there are any more like it, I'll just order another from Paris."

"Then it's agreed.  Turn around and cross your wrists behind you.  Good!  Now for your arms.  Your elbows will not have to touch."

Robyn let Von Dreck lead her out into the main studio area.  "Over there by that door," said Von Dreck.  "Kneel and then cross your ankles.  Well, what do you think so far?"

"You did a good job," said Robyn, her ankles now also corded, "but I've been tied up a lot worse.  Maybe that's why your author is little known."

"see, I'm not such a monster after all.  Now wrap your lips around that doorknob."

"Are you crazy?  I can't get a whole doorknob in my mouth."

"I did.  It's a specially ordered knob.  After Herbert installed it, that was the first thing I checked."

"I've tasted better," said Robyn, after confirming the fit.

"The best part of all," said Von Dreck, "is that, thanks to its narrow handle, the knob can be firmly secured with just a few strips of cloth.  As a rule, I avoid cloth gags because they are so unreliable."

"Can't you cover it first with a handkerchief?"

"The author said nothing about that."

"How long is this going to take?


XII. Putting On A Happy Face


In the center of the room was a box, and on top of the box was a head.  It wasn't an ordinary head.  Frowzy blonde curls framed its face.  A strap-secured ball plugged its mouth and circled by Revlon coated lips, relentlessly spread its jaws.  Too much mascara and rough gave it an eerie quality.

"Mrs. Smith, I presume," said Robyn.

A piteous not of the head disclaimed the identification.

Slowly recognition dawned.  Under the makeup and wig were strangely familiar features.  "Get hold of yourself," said Robyn, unable to stifle a grin.  "As soon as I figure out how, I'll get you out of that box."

Getting Herbert out of the box presented unexpected problems.  The box was made out of wood, and the pieces forming its top and pillorying Herbert's neck had obviously been designed for slimmer, female necks.  As Robyn unsuccessfully searched for some kind of locking device, increasingly unintelligible sounds sputtered from the occupant of the box.

"Alright, already," said Robyn, unstrapping Herbert's gag.

"You'll need a screwdriver," said Herbert.  "Look in the top cabinet drawer."

Robyn found several screw drivers, succeeding with the second one she tried.  More difficult was helping Herbert raise himself clear of the box.  Besides being stiff and numb, he was simply, but effectively, bound.

Herbert's outfit astounded his liberator.  Bra, panties, garter-belted nylons, and ridiculously high-heeled pumps all joined in silent tribute to the bondage uniform of the fifties.  "Excuse me for staring," said Robyn, stepping back for a better view, "but your taste in casual wear is somewhat out of the ordinary."

"It's not like you think," said Herbert, his voice barely more than a whisper.

"What I think doesn't make any difference.  If that's what you like to wear, who am I to object?

"You think I like wearing this shit?"

"There's a better explanation?"

"Von Dreck made me wear it," said Herbert.

"You expect me to believe that a girl half your size made you put all that junk on your face?"

"She put it on.  Once I was inside the box, I didn't have much of a choice.

"Is that how she got you in the undies?  There isn't much room in the box."

"I can explain," said Herbert.

"I'm listening," said Robyn.

"Aren't you going to untie me first?"

"Did you try to get free by yourself?

"When Von Dreck ties you up, there isn't much point in struggling."

"Maybe not, but, at least, you could try."

"This was all her idea," said Herbert.  "She said female models were no challenge and that, if I had no objections, she'd like to practice on me.  When I said okay, she said there was just one more thing."

"It look more like seven things." said Robyn, correctly counting the items comprising Herbert's attire.  "have you ever said not to Von Dreck?"

"Of course I said no.  Then she said put them on or find yourself another job."

"So you put them on?"

"Where else would I find another job like this?"

"How did she get you in the box?"

"The way she was laughing, I was glad to get in the box."

"Don't take it so hard," said Robyn.  "A little bondage and draggage never hurt anyone.  Now walk around the room and give me a better look."

"You're worse than Von Dreck," said Herbert, more in frustration than anger.  "Is it fun to humiliate me like this?"

"We all have our shortcomings," said Robyn.  "You, for example, have a terrible memory.  When I was spread-eagle on the roof, was it fun watching me squirm?"

"I don't think I can walk in these shoes."

"Bondage models manage," said Robyn, borrowing her answer in part from a Sweet Gwendoline episode.

Herbert's bondage did not thwart compliance with Robyn's pending request.  His wrists were efficiently tied, but the cord connecting his ankles allowed him to take short steps even though it was further coiled to insure that the skyscraper pumps remained on his size ten feet.

"Can't you walk any faster than that?"

"Not unless you want me to fall down."

"Just keep on walking," said Robyn.  "I need some time to think."

While Herbert was doing his laps, Robyn was forming a plan.  "If you're through sulking," she said, "I have a few simple questions.  Do you think you could handle Von Dreck?

"What do you mean by 'handle'?"

"I mean tie her up no matter how hard she fights."

"It wouldn't be much of a contest.  I was a wrestler in high school."

"Could you tie her so tight that she couldn't escape?  She's a wizard with ropes and knots."

"Sure, if I can select the rope, and there are no other restrictions."

"Then it's settled.  She usually comes in around eight-thirty.  Tomorrow morning, we'll come in by eight.  I'll pick you up myself."

Neither his tethered ankles nor his impractical shoes stopped Herbert from crossing the room with short, but sure-footed steps and presenting his wrists to Robyn.  "Oh Herbert!" she testily scolded, looking down at the thin, coarse cords cutting into his well-secured wrists.  "Why didn't you tell me before that she had tide you so tight?


XIII. Sitting Pretty


Von Dreck arrived at the studio at almost exactly eight-thirty, unlocked the outer door, and, with no outward sign of surprise, acknowledged her welcoming committee.  "Your work habits are improving," she said coolly.

"Do you know why we're here?" asked Robyn.

"I have a pretty good idea."

"Then take off you jersey and jeans.  Herbert deserves to enjoy you in a more natural state."

"All he ever had to do was ask."

"Okay, I've done my part," said Robyn, directing her words to Herbert.  "Show me what you can do."

Herbert started with a length of cord, which, as nearly as Robyn could tell, was about 30 feet in length.  He fashioned a knotless loop, a technique now familiar to Robyn, and tightened it around Von Dreck's arms and body at a point just below her breasts.  Next, he wound almost all of the remnant along the same path as the loop.  Finally, he split what was left into two separate lines and made use of the subject's right arm to reverse the direction of one line and execute an anchoring knot.

Robyn was openly critical.  "That doesn't look very tight."

"It will be in a minute," said Von Dreck.  Robyn withheld further comment, respecting Von Dreck's opinion on this one particular subject.

Herbert hammer-locked Von Dreck's left wrist and, with her apparent cooperation, connected it to the strands encircling her arms and body.  The right wrist received the same treatment except that it also was corded to its hammer-locked counterpart.

The closer Robyn studied the bondage, the more her appreciation grew.  Even less efficiently tied wrists would find it difficult to escape.  Cords circling the subject's body preventer her from spreading her arms, and any attempt to spread them or even to lower her hands, would tighten the encircling cords.

"The Japanese thought up this one," said Von Dreck.  "Maybe that's why they make such good television sets."

"You're taking this calmly," said Robyn, miffed at Von Dreck's nonchalance even in the strictest of bondage.

"Have you forgotten so soon?"

"Forgotten what?" asked Robyn.

"What a good sport I am."

Studio07 by guardian46w

Robyn threw up her arms in disgust.  "Get on with it already, Herbert.  There's more of her left to tie."

Under Herbert's directions, Von Dreck sat Buddha-like on the floor while he carefully corded her ankles so that the soles of her feet faced in opposite directions.  Next cords added to her ankles, passing behind her neck and returning again to her ankles compressed her into a position rendered even more compact by her own unsolicited efforts to shorten the distance between her head and her now shoeless feet.

"If I'm not mistaken," said Robyn, "this was a John Willie favorite.  He was particularly fond of rocking his models back so as to enhance the view." Robyn demonstrated on Von Dreck.  "Well, Herbert, what do you think?"

"I think it does enhance the view."

"Is that all you think?"

"It's hard to put it in words."

Robyn tried another tack, first rocking Von Dreck so far back that she finally came to rest much like an overturned turtle.  "What do you think of her buns?"

"very nice," Herbert mumbled, obviously embarrassed by the question.

"Just very nice?  I think they're terrific."

"I guess so," agreed Herbert uneasily.

"Look, Herbert," said Robyn impatiently, "you can't go through life just looking.  If you think her buns are terrific, the world won't come to an end if you give one little pinch."

Von Dreck finally showed some irritation.  "What the hell is this, bondage or therapy?"

"It's the same thing," mocked Robyn.

Von Dreck had no more to say but, after a few trial rocks, demonstrated remarkable agility by rolling over on her side.  "That's not a bad view either," said Robyn.  "The only thing missing is a gag."

Herbert produced the gag, which Von Dreck uncomplainingly accepted and which Herbert buckled in place.

"That just about does it," said Robyn, "but, seeing that she is so agile, there is one more thing we should do.  Clear off that typewriter table and roll it over toward me." Herbert responded to the order with his usual alacrity.  "Now lift her up on the table."

In her folded position, Von Dreck was not easy to lift even for someone like Herbert, who had above average strength.  Eventually, however, he managed to get her up on the table in a sitting position.

Robyn seemed satisfied at last.  "I don't think she'll roll over now."

Von Dreck began rocking gently, perhaps, only to demonstrate that no ropes could ever defeat her completely.

"Anything else?" asked Herbert.

"Yes, if you are as hungry as I, you'll go out with me for some breakfast."

Someone was knocking on the door.  "Who can that be?" asked Robyn.  "Gaylord wold use his key."

"I haven't the slightest idea."

"Roll her into Gaylord's office and I'll find out who it is."

After a suitable interval, Robyn opened the door.  "Are you Robyn?" asked a curly haired lad, no more than twelve years of age.  "A lady gave me a dollar to make sure that you got this letter."

"Here's another dollar," said Robyn.  "Now get your ass out of here fast." Robyn tore open the envelope and found the following note:

Dear Robyn,
By the time you receive this message, I expect to be in no position to perform my usual duties - or even to tell you what they are.
However, the Studio must go on.  A list of the items that need immediate attention can be found under Gaylord's calendar.



XIV. In The Black


"Are you sure you're alright?" asked Robyn.  "It's been almost two weeks since you did something rotten to mean."

"Never felt better," said Von Dreck.  "Since you took over the studio, it runs on a regular schedule; I get paid on time every week; I don't have to moonlight at the Chateau."

"I haven't taken over," said Robyn.  "Gaylord is still running the studio.  I'm just looking after things until he gets back."

"Are you sure he's coming back?"

"Of course, he's coming back.  He's just taking a little vacation."

"some vacation!"

"You know where he is?"

"I thought it was common knowledge."

"Then how about sharing it with me?"

"How about telling me why he never returned to the studio after that meeting at the bank."

"You know how stubborn he is.  He must have found out that I personally guaranteed his loan.  Now tell me where he is."

"He's living with Ingrid."

"Ingrid?"

"You know, the blond in the chess game."

"She's certainly a beautiful girl.

"She's also submissive."

Robyn shook her head sadly.  "Gaylord ought to love that."

"Not really.  It's too much like kissing his sister."

"Let's get back to business.  Since you mentioned the Chateau, what's this thin on the schedule for next week?  I thought Gaylord hated S&M."

"It's a matter of mutual interest.  The dungeons and sinister atmosphere make a great backdrop for photos, and we don't even pay the models."

"What's in it for the Chateau?"

"Their patrons pay just to watch."

"Who pays the modeling fees?"

"There are no modeling fees.  Some patrons are generous tippers."

After thinking for a moment, Robyn asked another question; "Have you lined up the models for the next week?"

"I'll get on it tomorrow.  We usually use only one model.  That way nobody splits any tips."

"Do you think you could line up Ingrid?"

"She's usually available."

"I'll expect you to take care of it.  Now tell me about tonight."

"I have to eat crow on this one.  I sure thought the movie club was just another one of Gaylord's crackpot ideas.  It turned out to be one of our most popular activities, and the members do all the work."

"What do they do, talk about movies?"

"That's about it.  Some of them seem to know every bondage scene ever filmed.  You should hear some of their quizzes.  tonight, one of the members is giving a special lecture.  He claims it is based on a chapter from his unpublished book."

"Since you don't make it sound like you'll have very much to do, this should be an excellent time to try out some new equipment."

"What new equipment?" asked Von Dreck.

"This chain set," said Robyn, opening a drawer of her desk and extracting four matched steel bands for wrists, ankles, neck, and waist, all linked by appropriate chains.

"It's nicely crafted," said Von Dreck, "but it must have set the studio back a fortune.  I'm in love with those little locks."

"Now that we're making a profit, it costs less than you may think.  It depreciates over five years, and we get a ten percent tax credit.  Aren't you going to try it on?"

"Are you giving me a choice?"

"I'll tell you what, if you honestly believe that the club would prefer you without the chains, we'll pretend that I never brought it up."

"You should have been a lawyer," said Von Dreck.  "So as long as I'm wearing chains, I'll put on the harem girl costume.  I don't think it has ever been worn."


XV. The Movie Lecture


A manacled harem girl convened the movie club meeting; "Tonight, one of our members is favoring us with some highlights from his unpublished book.  We'll get to that in a minute.  First, let me introduce our vice-president and general manager.  She wants you to call her Robyn."

Robyn rose to acknowledge a ripple of polite applause.  "I'm pleased to announce," said Von Dreck, "that Robyn has offered a prize to the first person to answer this evening's trivia question."

As Robyn tried to remember what she had agreed to contribute, Von Dreck read from a slip of paper, "Many leading ladies have been bound more than once in the same motion picture.  Name one who was tied up both by her lover and her father." Almost every hand in the room went up.  "I think you were first," said Von Dreck, pointing to a sandy-haired man in a turtleneck sweater.

"Jean Peters in 'Apache'," said the man, in a tone that seemed to suggest that it was not a very hard question.

"We have a winner," said Von Dreck.  "We also have a minor disagreement.  Robyn offered $25.  I thought that allowing the winner to tie her to a chair would be a more appropriate prize.  Knowing her as I do, I'm sure she will go along with whatever the members prefer." Calls from the floor make it clear which prize the members preferred.

A young woman stepped suddenly forward.  "I accept the prize for my husband.  Where do you keep your rope?" The sandy-haired man slunk away to a chorus of good-natured jeers.

Studio08 by guardian46w
Von Dreck gave the woman five minutes before proceeding with the meeting.  "I think you all know Fred Glubman.  Tonight he is going to discuss bondage awareness in the movies."

Fred Glubman, a thin, balding man, maybe still under fifty years of age, launched directly into his subject: "The frequency of bondage in movies is proof of bondage awareness; yet rarely is bondage acknowledged as an erotic activity.

"Before singling out some exceptions, I would like to discus an old film that typifies Hollywood's approach.  It's a bondage feast called, "The Black Swan".  The credits have barely been flashed before we are treated to bound beauties carried off by wine-crazed marauders.  Next, bound beauties at their feet, George Sanders and Tyrone Power relax over a keg of wine.  Scorning George's generosity, one of their writhing captives lets the wine slide down her cheek rather than into her mouth.  About halfway through the film, Maureen O'Hara, as the arrogant Lady Margaret, is tied, gagged and carried off by the later-forgiven Tyrone.  Finally, in less honorable hands, she finds herself suitably restrained while Tyrone and George duel to the death and, as a further indignity, must listen to a long apology before she is finally untied.  As if all of this is not enough, for those with different tastes than my own, Tyrone is stretched out on a rack and tightly lashed to a hammock.  Yet, while we may rightly say, 'they don't make 'em like that anymore', there is no overt suggestion that bondage can be a turn-on.

"If you will excuse me for digressing, the last word on the 'Black Swan' goes to Steven H.  Scheuer, author of 'Movies on Tv': 'Great for the kids and plenty for adventure minded adults.'"

"Some of you may be surprised that, in contrast to a good movie like "The Black Swan", a bad movie like "The Outlaw" gets high marks in bondage awareness.  Jane Russell's acting is irrelevant.  Her arms spread upward and outward by what is described as rawhide, she generously displays the attributes that, more than four decades later, allow her to profit from commercials directed at full-figured ladies.  Everyone has something to say about the bondage: 'I's an old Indian trick,', explains Walter 'Doc Holliday' Huston.  'Another hour she'd have been hanging by her wrists', adds Thomas 'Pat Garrett' Mitchell, who decides to string her back up as bait for Billy the Kid.  'I thought I tied it tighter than that', says a not-so-dumb Billy the Kid.  What does Jane Russell have to say about all this?  'You come back!' she happily purrs, once Billy removes her gag.  Maybe Howard Hughes wasn't so crazy after all."

"To the best of my knowledge, a french film called "Trans-Europe Express", is the only movie in which the sexual power of bondage is the principal motivation factor.  With a kind of clinical detachment, it tells the story of a man whose bondage fantasies lead to a tragic bondage experience.  Eventually, he is apprehended because someone is perceptive enough to know that he will be certain to attend a theatrical performance by a so-called bound woman."

As Glubman consulted his notes, a call came from the back of the room, What about "The Collector"?"

"I'm glad that you asked," said Glubman.  "'The Collector', like 'The Black Swan' is a quality movie with liberal doses bondage.  however, as in 'The Black Swan', the bondage purportedly is practiced for wholly practical reason.  In the celebrated bathroom scene, Miss Eggar is promptly untied when the nosey neighbor departs.  And, as some of you may recall, when the unfortunate captive tries to have sex with her captor, she first asks him to untie her hands.

"Turning to something more cheerful, I'd like to discuss Woody Allen.  How many of you have seen 'What's up, Tiger Lily'?" Most of the members raised their hands.  "Then you shouldn't have been too surprised by the excellent bondage scenes in 'Sleeper' and 'Broadway Danny Rose'.  Tiger Lily, we are told, is a terrible Japanese spy flick converted into a far-out comedy by dubbing in Woody Allen's dialogue.  While the bad guys are stealing a formula for chicken salad, an assortment of oriental beauties are trussed up for our enjoyment.  Even under the cover of comedy, it's refreshing to find a movie in which bondage awareness is acknowledged.  As the head bad guy says: 'Everybody show up when we have girls to tie up'."

"An even more outrageous line further demonstrates bondage awareness.  'How come I'm tied up?' asked our hero when, like his two female companions, he finds himself roped to a chair.  One of the bad guys replies: 'I love you in my own way'."

"On the Subject of Woody Allen, I wonder if anyone noticed how a bound Diane Keaton in 'Sleeper' parodies the imprisoned Samantha Eggar in the 'The Collector'?  In addition to her celebrated bath, Miss Eggar's list of demands included fresh air and light, some drawing materials, things from her chemist, and finally, fresh food and salad.  In contrast, Diane's last demand combines humor and practicality, 'I need my arms', she complains."

"How far Hollywood will carry the pretense that bondage is not erotic is illustrated by...  "

"That must wait until next time," said Von Dreck.  "If we're not out of here in ten minutes, the janitor will lock us in."


XVI. Dressed To Kill


"I brought you something to wear."

"What's wrong with what I have on?"

"Nothing," said Robyn.  "But, since we're going to the Chateau, we might as well go in style."

"Don't go off the deep end," said Von Dreck.  "It's called the Chateau, but it's only a rundown old house."

"You'll put on this evening gown, and I brought you a tailored fur cape."

"Where's Ingrid?  It isn't like her to be late."

"She's in the storeroom with Herbert."

"Will she wear an evening gown too?"

"Don't be ridiculous.  A few leather items will suffice.  Herbert's lacing her in the thigh boots now."

Robyn waited for Von Dreck to change before issuing further instructions: "You'll find shoes and gloves in the storeroom."

In addition to the thigh-length boots, Ingrid wore just a bra and panties, the latter of the briefest variety.  Herbert's outfit was more surprising.  "It isn't a costume," said Robyn.  "Tonight, he will be our chauffeur."

Robyn spoke next to Ingrid, "We will finish preparing you now.  Gaylord always stressed authenticity, and this will set the proper mood." Only two minutes later, Ingrid stood in the center of the room, hands tied behind her back, ankles tied tightly together, and mouth plugged by a leather device that, without the use of her hands, its wearer could never remove.

Robyn's final instructions were for Herbert, "As soon as it's dark, carry her out to the loading dock.  I'll pull up the Mercedes myself."

The ride proved to be uneventful.  Von Dreck rode in the back seat, her camera and equipment beside her and Ingrid curled up at her feet.  Herbert pulled up before the Chateau, opened the front door for Robyn, opened the back door for Von Dreck, and cradling Ingrid in his arms, followed them into the house referred to as the Chateau.

Mistress Mona had seen better days.  To Robyn, her most striking feature was a pair of imposing thighs, of which, over her long leather boots and under her short leather skirt, ample portions were clearly visible.  "Welcome to the Chateau," she said.  "I was expecting Gaylord."

"He couldn't make it," said Von Dreck, "but we won't disappoint your patrons."

"Follow me," said Mistress Mona, leading a strange entourage into a high-ceilinged room featuring a hard stone floor, a pulley set in the ceiling, and various frames and platforms.  "Okay, do your thing," she whispered.  "Tonight, I get to relax."

"Bondage in the round," thought Robyn, counting about 30 patrons sitting on straight-backed chairs along the room's dimly lit perimeter.  "My name is Robyn," she announced, stepping up on one of the platforms, "and the lady in leather is Ingrid.  In the past, it has been our practice to demonstrate bondage techniques.  Tonight, we are proud to present a real-life bondage session."

At a signal from Robyn, Herbert deposited Ingrid at a point underneath the pulley and connected her ankles to the rope that accepted the force from the wheel.  Robyn took over from there.  First, Ingrid's ankles rose; next her hips cleared the hard surface and her shoulders slid slowly forward; finally, only her hair made any contact with the floor.

"It's time for some business," said Von Dreck, lowering her voice to a level that only Robyn could hear.  "Hoist her up about two more feet." As soon as Robyn had complied, Von Dreck started her rounds of the room.  Soon, a group of three patrons approached, inspected the inverted bondee, and, before returning to their chairs, stuffed ten and twenty dollar bills into her bra and panties.  With a few minor variations, the scene was repeated until each of the patrons in the room had contributed as well as inspected.  The last and most generous contributor also furnished a pat on the fanny, followed by a gentle push that left Ingrid swinging like a pendulum.  It finally dawned on Robyn that modesty was not the reason for Ingrid's vehement insistence on wearing the bra and panties.

Robyn call on Herbert one more time.  "See that platform with the four-foot post?  Slide it over here by Ingrid." While Herbert was moving the platform, Robyn was lowering Ingrid, but only for the limited purpose of retying her booted ankles, this time in a crossed position.  Soon Ingrid was dangling again, this time six feet above the floor.

"Now for the hard part," said Robyn, turning the operation of the pulley over to a puzzled Herbert.  "let's thread her through the post." As Herbert lowered Ingrid slowly, Robyn guided Ingrid's arms so that they ringed the post.  As Herbert lowered Ingrid further, the procedure was repeated with her legs.  the final result was a simple but unusual position, a girl with her arms and legs tied around a convenient post, but with ankles above her wrists.Apparently unmindful of her audience, Robyn proceeded with the bondage.  Soon, a long, sturdy cord ran from the bindings on Ingrid's wrists, through the bindings on her crossed ankles, and back to a metal ring screwed into the base of the platform.

"Okay, shoot some more pictures," said Robyn, "and then we'll get out of this dump."

Only two flash bulbs later, Von Dreck freed the girl from the post and, after a brief discussion, rejoined a disconsolate Robyn.

"Why so glum?  asked Von Dreck.  "I think they'll invite us back."

"I've never felt so ashamed in all my life.  The jealous woman thin was bad enough, but taking it out on Ingrid, I must have been out of my mind."

"Ingrid would like to talk to you."

"I'll bet she would.  I don't know if I can face her, but I'll try to make it up to her somehow."

Taking her cue from Von Dreck, Ingrid timidly crossed the room.  "I know you're busy," she said, "but there's something I'd like to say."

"Okay, let me have it," Robyn said.  "The least I can do is listen."

"This will just take a minute," said Ingrid.  "I've been a model a long time, but I've never had a session like this.  The next time you need a model, I hope you will think of me first."


Continues in