The Sex and Magic Show: First illusion

The group on stage are an assorted bunch. Centre of the group is a gentleman magician calling himself Prospero; he looks the part in a black suit, white shirt, bow tie, top hat and shiny black shoes.

On one side are Romeo and Portia; he is clad in a black t-shirt and lycra shorts with a definite bulge at the crotch, which is hardly surprising as he has just helped Portia dress in her outfit. Her outfit being a top and some trousers composed entirely of straps and gaps, mostly gaps; this outfit does nothing to hide any part of her generously bosomed chest or the delicate folds between her legs, but it does seem to give her more confidence than being totally naked before the audience of nearly thirty people.

On Prospero's other side are Margot and Othello. Othello has just, this minute, been recruited from the audience, wearing a sports jacket and trousers. Margot, who brought Othello on stage, is in a blue velvet corset which shows and supports her breasts and has satin swags attached the barely cover her groin, which observant members of the audience already know is covered by nothing else. With her arms at her side the matching gloves reach up to level with the top of the corset.

Prospero announces, "Now that we have a full complement of people for the next illusion; that is a Magician (Myself), an assistant (the delightful Portia), two helpers (Romeo and Margot) and an audience witness (Desdemona's Othello), let us begin." Desdemona is an audience member in the front row, who on a previous occasion performed the role of first assistant, which is currently Portia's.

"Some of you may have noticed the equipment I brought on stage and wondered what it's for. We are going to perform my version of a much loved classic of magic, but it will take a little while to set up, but so you don't get bored I'll be describing what I'm up to as we go along and with Othello, here, watching closely on your behalf, you can be sure I'm not lying to you, because he will let you know if he thinks I'm cheating."

"Portia, please stand about there," he says indicating a spot about four feet from the edge of the stage in the centre. Portia moves there and Prospero guides her by her shoulders to face across the stage; the audience appreciate the profile of her chest. "Margot, would you please bring the first part of the framework." She seems hesitant, so he adds, "That's the one nearest you. It should move easily as its on casters. Park it close behind Portia, so that we can attach her to it."

As Margot wheels the frame over to Portia, Portia eyes it suspiciously, but not seeing anything sharp or pointy bits, she is not particularly worried by it. The 'H' shape base, with a caster at the end of each leg of the 'H', supports a vertical at one end of the cross-piece (at about waist height), which in turn supports another crossbar above the 'H's crossbar. All this framework seems to be to carry two vertical bars which hang from the upper crossbar nearly to the floor and having four carabiners on each. Margot offers the device up so the hanging bars nearly touching the backs of Portia's legs. "Margot, you and Othello, will attach the carabiners to the 'D' rings on the backs of Portia's trouser legs. Romeo, you just help Portia stay upright, because we don't want her falling over. I will bring the other half over."

It does not take long for Margot and Othello to attach the eight clips, four per leg, attached at the ankle, knee, just below the buttocks and at the waist. Romeo decides the best way to help Portia remain upright is to stand directly in front of her and hug her; despite their chest to chest contact, Portia is clear how aroused Romeo is.

Eight clicks later, Prospero returns with the second section of framework; the supporting arrangement is the same, but the two bars supported by this one were horizontal and have a connecting crossbar.

"Now we need you to lean forward, Portia, so that your body is horizontal, in just a moment. Before you do that, I need Margot and Othello to stand on the back of the frame to act as a counter balance and you, Romeo, to support her shoulders." When the two counterweights are in place, Prospero instructs Romeo to help Portia lean forward until her body was nearly parallel to the stage; comments are heard from the audience making it clear that some there like the sight of Portia's ample bosom dangling from her chest.

While Prospero positions the new frame over Portia's torso, she decides to investigate the prominent bulge in Romeo's shorts. To this end she pulls the waist-band forwards and down and is greeted with a far from flaccid penis. She kisses the end, causing it to stiffen further.

"That's a great idea, Portia; you'll probably need a distraction in a few minutes," The magician comments. He has clips the back of Portia's strappy shirt to the framework, at the base of her ribs and her shoulders. "Romeo, I suggest you stand a bit closer, because I need her put her arms out under the crossbar."

Romeo takes a half-step forward, while Portia opens her mouth accept the advancing cock. With her lips part way down Romeo's penis, Portia spreads her arms out sideways and feels the frame support her arms at wrist and elbow when the clips are applied to the 'D' rings on her sleeves.

"I'd go a bit easy, Portia, if I were you, because for this piece of magic it is necessary that you remain in contact with Romeo throughout the performance and just to warn you, I am about to adjust your lower half."

Portia curled her lips over her teeth to prevent herself from biting Romeo,  while Prospero loosened some clamps on the rear frame and after some manoeuvring had her lower half horizontal in line with her upper half. The angle the now horizontal rear bars made with the crossbar that they hung from had also been changed, so the Portia's ankles were a little more than shoulder-width apart.

"My plan was, at this point to rotate the apparatus so that you got a good view of what I've achieved here, but with Portia and Romeo, in their current state, such a thing is impractical. All that means that you will have to rely on Romeo and Othello to make sure that I don't do any sneaky magician stuff like swapping the lovely Portia with fake parts." He paused to allow the audience to take in the implications. "To that end I need you, Othello to verify that we are starting out with a genuine Portia."

Othello runs a hand over Portia's legs and confirms that they the real thing. He shivers slightly.

"That might be all well and good in a normal magic show," said Prospero, "but I would like to remind you that this a sex and magic show, so I will ask you to check more carefully that we have a real young woman suspended from these frames."

Othello's face shows that he had got the point of the magician's comment. He looks to his partner, Desdemona, in the front row of the audience and raises a finger, then flicks out his tongue, before making a significant glance down his body, then nodding towards the confluence of Portia's legs. Desdemona gets the message he is sending and replies by raising two fingers and making a stroking motion with them. In response, Othello steps between Portia's calves and strokes up her inner thigh and begins to explore the fleshy folds found at the top. Portia reacts with a moment of shocked stillness, then she seems to be more smiling as she feels the intimate exploration of her rather public privates.

While Romeo, Portia and Othello get into a rhythm of sensual intimacy, Prospero steps into the wings to pick up the final item need for this piece of magic. Margot looks on with an expression resembling jealousy, until she sees Prospero return with a large hand saw, at which point she seems almost relieved not to be in Portia's place.

Without preamble, Prospero steps up to the gap between the upper and lower parts of Portia's barely there costume and addresses the saw to her flesh about an inch above the waistband of the strappy trousers.

Portia feels the pricking of the saw's teeth as it touches her waist and pauses in her fellatio of Romeo, but with her mouth full she cannot turn her head to see what is causing it. Moments later, as the audience see the saw break the skin bloodlessly, she feels a gentle pressure similar to a massage where the pricking had been. With no further unpleasant sensations penetrating her consciousness, she returns to the task at mouth and enjoying the ministrations of Othello between her legs.

Prospero continues applying the saw to Portia's midriff where it sinks deeper into the flesh there with each stroke. Somewhere, in the back of her mind Portia tracks the progress of the tingly feeling at her waist; it not unpleasant or exciting and she has other things to think of that are of more immediate interest.

It does not take long to complete the saw's journey through her middle. The magician hands the saw to Margot and tells her to hand it into the wings. On the way, she displays the fact that the saw's blade is clean and free of blood, guts or any other evidence that it has just passed through a living person. In the meantime, Prospero has pushed the frames a few inches apart, causing Portia to take in Romeo's cock more deeply and Othello to accidently slip two fingers inside her.

On Margot's return, Prospero has her move the frame from which Portia's lower half is suspended to the side of the stage, while Othello continues his caresses and confirms that since the beginning he has be in contact with the real legs. Prospero, himself, helps Romeo and the upper half of Portia, who seems unaware that she has been divided in two, move to the opposite side of the stage.

Prospero returns to centre stage and spreads his arms to indicate the separated halves of Portia suspended from in full view from two frames a full stage-width apart; inviting the audience to applaud the feat he has just achieved.

Moments later, Portia's entire body goes rigid and then her hips buck; I seems that Othello's fingers have produced an orgasm that she is feeling throughout her body. As she screams her orgasm around Romeo's cock, he stiffens and screams, "Oh yeah!" Romeo withdraw his cock from Portia's mouth, who quickly closes her mouth and makes a swallowing motion, before more than a few drops of creamy fluid can escape her lips. Romeo tucks his cock back into his shorts.

Portia notices that she is no longer in her original centre stage position and looks across the stage and sees her legs hanging from the framework on the other side of the stage. "Oh my god, how did that happen!?"

Prospero says, "That is sex magic. I will now cede the stage to Maleficent. Margot come with me so that I can prepare you for my next illusion."