Sawings and divisions, compressions, miscellaneous
3/6/15
She steps up onto the stage. The thin cabinet stands, doors open. She smiles, and kicks off her shoes, then unfastens her belt, and lets her jeans slide off down her legs. She wiggles her butt as, back turned, she pulls off her top to stand in her panties. She steps, face to the back, into the cabinet, pushing her arms through the sides up to the shoulders. The cabinet is thin enough that there would be no room with her arms at the sides, anyway. Her ankles are shackled inplace, and the doors to the cabinet are closed, locking her inside. She wiggles her arms. A blade is slid through the cabinet at the halfway point, and a second. Then two are slid vertically into the top, cutting her in half. Two more into the bottom. She's been cut into four. Two discs are slid through her arms, and they are just simply removed from the sides, still wiggling. The cabinet is pulled into four pieces, and opened. Showing off her separate parts.
3/9/15
The girl steps onto the stage. The frame is there, and she smiles, and takes off her skirt, then raises her arms, allowing herself to be strapped into it, spread-eagled. The position lifts her shirt, showing off her panties. The frame is also on a turntable, and she smiles as she is spun around, wiggling her assets as they come into view. The spinning stops, and her top is cut from her, leaving her in just those panties, back to the audience. She looks back over her shoulder, twisting a bit, and smiles again, then turns to look away as the collar is locked around her neck and chained to the frame. Her thighs are chained the same way, and a metal shackle is placed around her waist. Slowly, a sword is pushed through the last shackle, and spun, apparently slicing her in half. The top half of the frame is rotated until she is smiling at the audience again, then it is lifted off, separating her top from her legs. Her nipples are quite erect.
The sword is placed into the waist shackle again, this time vertically, and slid straight downwards, pulling her panties down, then slicing them so they fall to the shackles at her ankles. The shackle is unbuckled, and an ass cheek goes each direction- left and right, proving she's been sliced into three.
11/2/15
She steps up onto the stage, where the tiny box sits on the table. She looks at it and laughs- it's a six inch cube, there's no way she'll fit. The magician smiles and suggest she wear something a little less constricting, just in case. Humoring him, she strips naked.
She watches as he opens the box, and pulls on the sides, unfolding it to a 12x12x12 cube. He pulls it again through 18", then to 24, and it now looks like she has a chance of fitting. She shrugs, and, still naked, climbs into the box. He closes the lid, which latches shut with an ominous click. Slowly, he pushes on the sides, compressing it back down to an 18" cube. Her fingers emerge from a small hole- she is still inside, all curled up tight. He pushes harder, compressing it to 12". she wiggles her fingers. Finally, he shrinks it back to the original 6" cube. She wiggles her fingers, still inside.
12/3/15
The volunteer steps onto the stage, where the magician shows her a small metal cylinder with an open top. He asks her to step inside, and she does so. He shackles her wrists together and places a ring over them, then has her crouch down. He seals the ring to the top leaving her hands exposed. He turns a crank and a belt on the side of the cylinder pulls tighter, slowly compressing the walls of her container, thinner and thinner to restrict her space.
1/4/16
She steps onto the stage, wearing bikini bottoms and a t-shirt. The sheet of plywood is pulled around, and she leans back against it, raising her armsover her head, spreading her legs. Leather straps are screwed in place on the board, fastening down her ankles and wrists, until she is secured too tightly to move.
The board is lowered onto the circular saw, and the blade rises betweenher knees. Slowly, the plywood is pulled, and the blade inches closer to her body. A plank is screwed down on supports, covering her hips and torso, and head, leaving her arms and legs exposed, as well as her breasts. The saw is pulled through the board and rises up through her body, with her limbs and sides still visible on either side as she is ripped in half.
1/15/16
The tiny box is opened. She steps onto the stage. She steps into the box. It is ridiculously small. The front is opened downwards, and she sits inside the tiny box, crouching down as the top is lowered and presses against her body. She curls up her legs and the front is closed, pushing against her shins. She curls tighter, and the strap is wound around the box. She waves and smiles, and curls up even tighter, as the strap is tightened, pulling the front and lid closer together. Still, she doesn't fit. A second strap is added, and both together are wound tight, until finally the lid and the front are closed, and she has been squeezed completely inside of the tiny box. The latch is shut and padlocked, trapping her completely within the tiny container.
2/5/16
She steps out to help him test his new illusion, wearing her panties and a long nightshirt. She looks at the equipment, and removes the nightshirt to prevent any damage. He smiles and locks her ankles apart with spreader bars, then the same for her wrists, and leans her back against the board, attaching the collar to her neck, and chaining the bar to the bottom, and the other to the top. He places the walls over the sides, and puts the top in place, screwing it down securely to trap her inside. He steps behind the box, where the slot runs the length of her silouette, and slides the blade between her legs. Slowly he pulls it upwards until it starts passing through her outline on the box. He looks at the directions, and pulls it all the way up to her neck, where the collar starts. He takes out the long blade and pushes it in, where it divides the box in half from just between her thighs to her neck. He pushes the blade through the box horizontally at the marked location of the shackle, then walks around to the front, where the blades have penetrated through, completely passing through the box, and her inside. He opens two panels on either side of the blade, looking at her rock hard nipples on her breasts- he fondles them, licks them, realizes he can't wait, and pulls the front of the box open to get at her. She slides into three pieces, hanging limp from the blades.
2/24/16
She smiled and steped onto the stage, where the small box sat on the low table. She pulled off her shirt, then slid out of her pants to stand in her bra and panties. She turned, reaching behind her to undo her bra strap and let it slide down her arms. Covering her breasts, wearing only the panties, she stepped inside the box and crouched down, sticking her hands through the holes, where they were locked in place. She ducked down and the lid was shut and locked as she kept her hands moving.
The wide blade was plunged through the lid of the box, running front to back and out the bottom, one handon each side, splitting her in half. The second blade is thrust through beside the first, and each half of the box, too small to contain her entirely, is pulled apart, as her hands continue to wave.
4/5/16
She leans back against the boards, and the u-bolts are locked around her ankles, wrists, and neck. The cloth is wrapped over her body, leaving her legs, arms, and head exposed.
The circular saw is fired up, and drawn up between her legs, until it touches the u-bolt at her neck. She gapes as it is turned, and run through her neck just below the bolt, then a second time, through her waist. Each piece of the board is pulled apart, splitting her body into five pieces- legs, arms, and head, all going separate directions.
5/11/16
The box is wheeled onto the stage, and the magician calls the volunteer up, a slender redhead with freckles and a slightly chubby face. She smiles shyly as the box is opened. The Magician has her crouch down in one half, and show she can't fit. She then stands astride both halves. Her ankles are shackled in place, on in each half, and the box is shut. She opens the upper halves, and smiles. Her wrists are shackled to each side of the box, and she pulls the upper halves together. They're latched shut.
Four blades are thrust between the upper and lower halves of the cabinet, dividing it in two. Two more blades are brought out, and thrust between the two upper halves, splitting it as well. Then the sides of the top half are removed, and the cabinet turned, showing half of the volunteer on each part, divided by the blades. The lower portions of the bottom half are removed, showing her legs. Then the two top halves are split and lowered, folded down beside the redhead's legs.
Two more blades are introduced, and thrust, simultaneously, between the left and right half of the box. As they descend past the remaining cover, they push the girl's panties down her legs, until they cut them in half, and the pieces slide down to her ankles. The two lower halves of the box are separated, proving the girl has been split into four.
6/17/16
She steps up onto the stage, smiling. A very thin cabinet is brought out, and the front is opened. She steps inside, and it is barely wide enough for her to fit. She steps out again, and takes her shoes off, then, smiling, unbuttons her jeans and slides them down her legs, stepping out of them to stand in her shirt and panties. She steps back inside the cabinet, and her ankles, wrists, and neck are locked in place with metal shackles. The clear glass lid of the cabinet is closed. The box is so small, it presses against her breasts, visibly flattening them. It is latched and padlocked shut, trapping her inside. She smiles, regardless.
Still secured, she watches as a blade is pushed between her legs, splitting the lower part of the box and keeping her legs separated. It is pushed upwards, behind the plexiglass lid, until it touches her panties. She wiggles a bit, still smiling. Two blades are pushed in from either side above her shoulders, until they touch her neck. Two more are pressed in at waist level, above the shackles around her wrists. They slide against the shackles, and past them, and her hands drop down beside her feet. The blades are pushed through until they touch at her bellybutton, their edges visible on the glass. The bottom of her shirt slips down. The blades at her neck are pressed inwards until they touch as well, and her expression becomes blank, as the blade at her crotch is pushed upwards, slicing her panties until the elastic snaps and falls away, exposing her closely shaven pubic hair. The center blade rises past the blades at her waist, then between her breasts, pushing her shirt up until her nipples are exposed, pressed flat against the glass, then to her neckline. She has been divided into pieces, seven including her hands, quite visibly. A second set of blades are pushed in beside the first set, and each part of the cabinet is pulled apart.
6/30/16
She smiles as she steps onto the stage. The small box is brought out and opened t show the inside. Only the light through the thin slits can be seen. She unbuttons her pants, and, slipping off her shoes, slides her jeans down her legs, and steps out of them. Then she pulls off her shirt, showing off her bra and panties. With a shrug, she slips out of her bra, then pulls the panties ff to stand naked. She gets into the box and curls up, and the lid is closed and locked.
The next part of the illusion is brought out- long, vibrating blades that line up with the thin slots on the box. The box is lifted, and lowered onto the five blades, until they emerge from the top, having passed completely through the box and the girl trapped inside, apparently slicing her into pieces. Dividers are thrust into the slots, and the lid is unlocked and opened, then each divided section is pulled leaving the empty box behind, the girl split into all six sections. A panel is opened in one, and she sticks her hand out and waves it.
7/21/16
She steps out onto the stage, wearing only a towel. A thin cabinet stands open, and she steps inside. A rather tipsy-looking performer closes her inside, and latches it shut, then turns the cabinet to give the audience a clear view as she picks up the spikes, and, one by one, thrusts them through the cabinet. They are met with squeals and screams from the girl locked inside, and at one point, the spikegets stuck. The performer twists the spike, then removes it, reaching into a small door and pulling out the towel, leaving her victim naked as she starts thrusting spikes through the cabinet again. More shrieks, which eventually stop as the performer turns the spike-impaled cabinet back to the front, revealing there is absolutely no place for the girl inside to have safely hidden from the spikes.
She peers out from behind the cabinet, but instead of the performer, it is the victim, wearing the performer's clothes. With a smile she opens the cabinet, pulling the top off along with the spikes, and the performer collapses onto the stage.
The show must go on, with the volunteer as the magician. She looks as the board is wheeled out on the stage, an X with a woman's outline on it, covered in shackles and straps. She calls up a volunteer, and a bikini-clad redhead steps up, who smiles and walks to the contraption. She leans back against the board, spread-eagled, and the first girl fastens the shackles securely around her wrists, ankles, shoulders, thighs, until she can't even move more than a wiggle.
A cover is brought out. It fits over her body, leaving her arms and legs exposed. She keeps wiggling, as, unseen to her, the saw is brought out. The first girl looks uncertain, but sees the lines on the cover. She places the blade between the redhead's legs, and starts sawing upwards, cutting through the cover, plank, and the victim's body as she starts squealing and writhing furiously. The girl stops just below the redhead's neck, and two long blades are brought out, then thrust through the cut she just made, splitting the victim up the middle. Next, she saws through the middle, and the saw slices the girl's waist, passing through two slots in the first two blades to cut her again. More blades are thrust through, four, to keep the pieces separated. The last cut goes through the outline of the girl's neck, and three blades are put in place. The first girl opens the top of the cover, showing the redhead's face. She winks and smiles, and her head is lifted off and placed on a low table. The rest of the pieces of the cabinet are pulled apart, separating her into five parts wiggling and moving parts. As she wiggles, the pieces of her bikini slide out of the cabinets, proving she has been completely divided. The first girl smiles, and opens the cover, to show the redhead's pert breasts and erect nipples in two parts, and two halves of a very wet pussy as she slides against the blades dividing it and the rest of her body. She mouths, "Leave me!" And bites her lip. The pieces are wheeled off the stage.
The first girl shrugs, not knowing what should come next.
8/1/16
She lays back on the table, and her wrists and ankles are locked down securely. The hinged sides are raised, forming a tight box that covers her from her hips to her arms. The circular blade, on the end of the mechanical arm, is wheeled out, and positioned between her feet. The blade begins to spin, and the arm extends, pushing the teeth through the gap between the cover. She begins to struggle as the high pitched whine turns into loud sawing, the blade beginning to slice through the table. The circular steel buzzsaw can be seen sliding up under the table as the arm draws the center over the top, cutting everything in its path- including her. The hinged cylinder is shut over her head, leaving only her arms and legs exposed as the saw slices through her naked body. Eventually, it reaches the top, and she stops wiggling. The blade is removed. The gap in the box where her arms are allows us to see clear across her upper chest as the blade pulls back through it.
Two long thin blades are brought out, and slid into the path of the saw, dividing the box, and the assistant's body, in two. The halves are pulled apart and wheeled around. Then the box is opened, the table tilted up, the audience filing across to view the carnage close-up.
8/17/16
She steps out onto the stage, and strips off her top and panties to stand naked as the cabinet is wheeled out, white walls with a clear glass front. She steps inside, ack to the audience,and allows her wrists to be shackled at the top corners, above her head. It is a tight fit, leaving her not much room to move. She wiggles her ass as her ankles are cuffed in place as well.
From the base of the cabinet, a long spike begins to rise through the center. She turns, smile in silouette, and again wiggles as it comes up between her legs, and gasps audibly as it slides inside her. She looks up as a second spike descends, and enters her mouth from above, holding her in place.
8/18/16
She steps out in the string bikini, and the two u-shaped glass channels are brought out as well. They each have a hole in one side, and she sticks her arms through, then the channels are pressed together to form a cabinet. She waves, unable to touch her body.The channel is turned to show off her ass, which she wiggles, and two metal blades are slid between her legs, filling the depth of the cabinet completely. Slowly, they are pulled up, between her thighs, until they touch her butt cheeks. She wiggles on the blade, grinding back and forth at is is pulled up further, soon reaching between her hips and slicing through her bikini bottoms, which fall on each side of the blade to the bottom. She grinds more and the cabinet is turned around. We see the blade rise through her belly button, then to her sternum. The progress becomes more difficult as she writhes on the sharp steel, but the blade keeps rising until it slices between her breasts and the bikini top falls off, joining the bottom, one half on each side. The blade rises further, to her throat, and the cabinet is turned around, then the blade is pushed the rest of the way upwards, slicing her completely in half. The two channels are pulled apart, one half of her naked body on each side, arms hanging limp, turned around to show all angles, hard nipples, eyes closed tight.
8/24/16
She smiles as the cabinet, long and thin, is wheeled out, supported by a narrow table. The long front is opened, and she slides inside. It is barely large enough to fit her body- her breasts practically touch the top. The front is closed again, locking her inside.
The front has large swivel hinges, and the magician folds each end upwards until they touch, leaving the middle on the table. He opens two small doors in the front, and we see her foot and face. She smiles and wiggles her toes.
The magician pushes downwards, and the box slides into itself, getting smaller, and compressing the already squeezed girl within. Soon it is a third of its starting size, the girl compressed within it. He pushes the box even smaller, until it is completely flat, then opens it up, and pulls her folded and pressed form from within.
He unfolds her and peels away her clothes piece by piece, showing her flattened body naked beneath them to prove she's real.
9/15/16
She is pulled up onto the stage, and, with a pass of a hand, hypnotized. She is asked to remove her clothes, and she unbuttons, then steps out of her pants. Next she pulls her top off over her head, casting it aside, as a bra-strap slides down her arm. She reaches behind her and undoes the clasps, then lets it slide down and fall to the floor. Finally, she hooks her hands in her panties, and bends over, pulling them down, then stepping out of them, before turning to face the audience, nipples hard.
She crosses her arms behind her back as requested, and they are shackled together, pushing her chest and ample breasts forwards. A spreader bar is locked to her ankles, making it difficult for her to move. Finally, her hair is pulled back, and a leather hood placed over her head, and padlocked into place around the collar, with two more straps tightened to keep her mouth shut, and pull padding in place over her eyes and ears.
A table is brought out, and she is placed on it, belly down. A strap is secured around her neck, and the spreader is latched to the table, then two metal shackles are tightened over the small of her back. Even if she were awake, she wouldn't be able to move.
"Now that her body is secure, it is time to secure her fate!" The Magician brings out a saw blade, and places it between the two metal strips covering her waist. He begins to draw it back and forth, and it descends swiftly through the girl, who shudders in her bonds.
"That would be the cutting of the spinal cord," he says, as he keeps sawing, the blade descending lower. She twitches more, then is still as the blade reaches the table she is strapped to.
The magician takes out two blades, and plunges them through the cut he just made.
Then he takes the saw, and passes it between the collar at her neck and her hood. Two more blades are inserted, the one at the hood clicking in place, designed to lock. He pulls the hood, and her head, off the table and away from herbody, then pulls the spreader bar, pulling her hips away from her waist.
9/23/16
She lays naked and chained to the table, the loose chains letting her struggle against the tight manacles on her wrists and ankles, just short enough tokeep her from reaching the locks securing the walls in place. Slowly, the spikes descend and she squirms, struggling to stay out of their way.
9/27/16
She is pulled up onto the stage, where the magician has a smooth-sided plastic barrel, very translucent. She waves, and, bikini-clad, climbs inside, leaving one hand sticking out the top as the magician puts the lid on, and shackles the hand in place. She puts her other hand against the barrel's side, and we see her form very clearly through the sides. Sand is poured through holes in the top, filtering down and slowly covering her body, and clearly visible as it fills the barrel, covering her. Her hand remains against the side as the sand holds her in place. Soon the barrel is completely filled, and only her hand against the side and above the lid can be seen as the barrel is dropped into a hole, and filled with water, then more sand, entombing the victim completely. Her wiggling hand, above the sand, stops moving.
9/30/16
She steps onto the stage, and the magician waves a hand before her, hypnotizing her. He asks her to remove her clothes, and she slowly strips as a clear cylinder full of holes is brought out, and, being hinged down one side, opened. Once she is fully naked, he asks her to step inside, and she complies. He closes the cylinder and latches it shut. He reveals long, thin swords. Slowly, he slides one through the cylinder, and her wrist, pinning it in place. He follows up with a second, pinning her other arm in place inside the clear prison. A third sword is passed through her ankles, keeping her immobile, as he pulls more swords out, and slides them through, impaling her belly above her pubic bone. Her nipples crinkle and harden. He smiles, and slides a blade through her breasts from the side. Another goes through her throat, and then her ribs, until she is pincushioned from every angle. He reminds us the swords are also sharp on both edges, and the cylinder is tilted on its side, and spun, gravity pulling her down onto the blades and slicing the victim's body to pieces. He snaps his fingers, and her severed head opens its eyes, screaming soundlessly.
10/13/16
She crawls out of bed as he hauls the box up, and opens the lid. "Hey, new trick. Get inside!" She shrugs, and, not wanting to ruin her nightshirt, pulls it off and stands in her panties. She steps into the box, her nipples hardening. "Can we hurry this up? I'm getting cold." She crouches down, and he shuts the lid. There are three clicks as it latches shut.
"What was that?"
"Uh, nothing? You all right?"
"Yes, but a bit cramped." She sticks her hand outside the hole in the center of a large gear in th side. He turns the gear, and the box starts to contract on all sides, getting smaller.
"Okay, now I'm really cramped, and wondering what the trick is."
He slides a rounded rod through a hole in the side, and it clicks, locking in place.
"Oh. Hey- that's touching my, well..."
"I know," he says, and turns the gear again. The box slides even smaller.
She gasps. "Now it's in me!"
"Does it hurt?"
"No, it feels... Good."
"Want it deeper?"
"Please?"
He turns the gear, and with clicks and slides, the box gets smaller, sliding the rod closer to the center. She clenches and unclenches her fist, moaning through the box walls.
He slides another rod in.
"Hey! That's the other hole! I'm not sure I signed up for that!"
He slides in a third rod.
"Mmph!"
He cranks the box, tighter and smaller. The moaning noises continue.
10/14/16
She steps onto the stage, where the tiny box awaits. Smiling, she climbs inside, removing her shoes before curling up so the lid can be closed. She pushes open the door on the top. Somehow she has managed to take off her slacks, and tosses them onto the stage, waving. A sword is thrust through the box, and she pushes her blouse up her arm with her other hand, allowing it to be taken from her. More swords are thrust through the box, accompanied by the removal of her bra and panties, leaving her completely naked. Then the box is opened to reveal she has vanished, gone forever.
10/18/16
She strips naked, and steps in front of the mirror, then turns to face it, letting the audience see her from all sides. She stands, legs apart, as the frame is brought out, and she raises her arms, allowing herself to be shackled in place by her wrists and ankles, the mirror still reflecting her body, allowing the audience to see her nipples harden as she smiles and waves as much as she can while restrained. The mirror is locked to the back of the frame, which is deep enough for her body, and a sheet of glass is locked to the front, pressing against her shoulderblades and butt, as her nipples press against the mirror.
From below, as deep as the frame, a blade rises between her legs, stopping just below touching her body. Two blades are pushed in each side of the frame, stopping at her waist with a little room to spare on the outside. Two more are pushed in to touch her armpits.
Then, the blades are rammed in the rest of the way, touching at the middle, sliding through her waist and chest, while the center blade slams straight upwards, bisecting her down the middle. She has been sliced, visibly, into six pieces.