Sword boxes, blade cabinets, and various related illusions
3/2/15
She is led onto the stage, in her harem costume, loose silk all around. Upon the stage sits the small dollhouse, on a high table. The top and front are opened, and the floor in the middle is removed. Slowly, she unfastens her belt, letting the silk leggings pool around her feet. She stands in the top, and a red silk thong, and she divests herself of the top, then pulls off the thong, and stands naked. She climbs inside the dollhouse, and the top and front are closed, locking her inside. She pushes her hand through a hole in the top and keeps it waving, as swords are brought out, and, one by one, pushed through the tiny box from every angle, impaling her inside her dollhouse prison. Finally, the floor- a blade- is pushed back through the dollhouse, dividing it in half. Her hand remains out the hole in the top, no longer moving. The front is opened, and she still sits inside, impaled and divided.
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3/4/15
The thin cylinder is wheeled out onto the stage in three parts, each part shown hollow. She hops up, and sits on the low table, after unbuttoning her jeans and sliding them off. The first cylinder is placed over her, and she takes her shirt off. The second cylinder is placed over her, coming to her chest, and she wiggles out of her panties. The last cylinder is stacked on her, and she tosses her bra out the top, sitting naked inside the container as the lid is placed on top. Swords are brought out, and pushed clear through the cylinder from all angles, impaling the girl inside. Then, each part of the cylinder is rotated in different directions- letting the swords slice the girl into pieces.
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4/21/15
The tiefling is brought before the angry mob, arms bound behind her back. The box is brought out, long and thin. The girl is stripped naked, and pushed face first into the box, her arms unbound, and the top is slammed down, then nailed shut. She pushes her arms out of the holes in the side, and they are grabbed and held in place as the box is turned over, putting her on her back. There are slots on the top of the box. Swords are taken, and the first is thrust, where her thigh is. She screams as the tip emerges from the bottom of the box. She thrashes her arms, as another blade is pushed clear through where her belly is. Sword after sword is thrust into the box, slicing her all over. Finally, the last slot, which runs most of the length of the cabinet, is used- the razor sharp blade is thrust between where her thighs are, and slowly pulled upwards, she screams as it slices into her body, crying out as it is pulled upwards, cutting her in half. As it reaches the halfway mark, two swords are thrust in where the arms emerge, and both are removed from the box. The central cut slices clear to the top. A blade is slammed down through where her neck would be. The box is lowered into the ground. And from within, there still can be heard crying.
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4/27/15
She steps onto the stage. A frame is wheeled out, similar to a doorframe, but all steel. She waves, and steps into the frame, allowing her wrists to be shackled at the top corners. She spreads her legs and her ankles are shackled to the bottom corners. She is fully secured inside. The metal plate is brought out and attached to the back of the frame. The translucent plate is attached to the front, obscuring her. It is lowered, and a light inside the frame turned on. The plate is lifted into place again, and we see her silouette clearly. The magician reaches into the side of the frame, and pulls out what appears to be her skirt. The front is lowered, and she stands, still shackled, her top covering up the top of her bare legs. She smiles, and the front is closed again. The Magician reaches in, and pulls out her top. The front is opened. She stands, still secured, in her bra and panties. The front is closed. The Magician reaches in, and pulls out her bra.
Her silouette is still clearly visible. From behind, the Magician introduces a blade. He slides it through the back of the frame, we see it touch the front plate, between her torso and her arm. The arm seems to fall off, handing from the shackle. He repeats it on the other side, and her other arm falls. The Magician reaches into the frame, and pulls each arm out. The frame is opened. She stands, legs spread, wearing only her panties, and unable to even try to cover her breasts, since her shoulders end in smooth skin.
The Magician attaches a belt around her waist, and a collar at her neck, chaining both to the frame. She smiles as he raises the front and again we see her armless silouette. The blade is used, slicing into her leg high at the hip. Without removing the blade, he reaches in and pulls out the girl's leg. He then removes the blade and repeats it for her other leg. After removing her legs, he reaches in, and pulls out her panties. He opens the front, she hangs from the chains, naked and completely limbless. He closes the front on her again. The blade is introduced again, slicing her neck at her shoulders. He reaches in, removes the head. The front is opened, and her torso wiggles a bit.
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5/19/15
She sits on the narrow bench, her arms at her sides. The Magician places the frame over her, and shackles her wrists to the sides. It is just barely wide enough for her to fit, and narrows above her shoulders, enclosing her head. He places the back on, then the front, to make a box just barely deep enough for her body. Her legs stick out through holes in the front, a tight fit. The front has a silhouette of her form on it, to show the position of her body.
He picks up the first blade, and slides it through the front, where the silhouette of her shoulder meets the neck, deep down to her breasts, and extending to the edge of the box. A second blade mirrors it, effectively decapitating her. More blades go through the box, severing her abdomen. Finally, he sticks blades through the sides to complete the cuts, then pulls out the part of the box containing her head, followed by her chest, then everything above her hips, leaving only the legs sticking out of the bottom of the box, wiggling. He replaces the pieces, removes the blade, and lifts the frame, front, and back at the same time, and she stands up unharmed.
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5/20/15
Laurel steps up onto the stage, and removes her skirt, then top, followed by her panties. As she stands naked, the robot body is brought out. The latches on the side are opened, and the front is removed, showing it to be just an empty shell. Laurel steps inside, and the shell fits her quite tightly. The front is placed back on and latched in place. Slowly, she manages to move the robot body around, limbs moving stiffly. The Magician steps up, and pulls out several sets of sharp discs. Two at a time, he plunges them through the robot body- the elbow first, and the discs lock in place. He unlatches the elbow joint, and removes the robot's forearm. We don't know what Laurel has to say about this- the shell around her head keeps her from even moving her mouth. The other forearm is removed, then the upper arms at the shoulders. The Magician slides discs through the robot's neck, then hips, then knees, and detatches every piece, leaving the head for last, he slowly removes it, twisting it away from the body, the discs covering the gaps. With a sly smile, he unlatches the face, and opens it up to show Laurel's head is still inside. She has been cut into pieces inside the robot shell.
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7/8/15
The tall, thin cabinet is wheeled out onto the stage. The Magician invites a volunteer up, blonde hair in a ponytail, wearing a short skirt and flats. She removes her shoes, and steps inside the cabinet. It's just barely big enough for her to fit. She smiles and waves, and the door is shut and latched, securing her inside. The Magician takes out some broad blades, and, one at a time, pushes them through the box. They divide it neatly into pieces. He pulls the pieces away, apparently separating the volunteer into multiple parts, which he scatters around the stage. He picks up the top piece, and opens the front, revealing her head. She smiles and sticks out her tongue, and he pulls her head out from the box, holding it in front of the audience.
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10/12/15
She steps up onto the stage, and examines the board, with casters bolted on. She steps into ankle shackles that are secured tightly, then screwed into the board. Her dress is pulled off over her head, leaving her standing in just a black thong. A tube that splits in two halves lengthwise is brought out, and placed over her right leg, then latched together, secured on the shackle. A second tube is brought out, and the inside shown- a dial is turned, and spikes pop up on the inside. The dial is turned on the first tube, while it is still on her leg. The second tube is then latched over her left leg, spikes extended, holding her securely in place. A piece is brought out and latched to the tubes on her legs, covering her back up to her neck, leaving her arms exposed. Two tubes are latched over each arm, shackled at the wrists. She wiggles her hands, and then the dials on the tubes are turned. The chest piece is put in place and latched shut. Behind her, sets of spring-loaded blades are placed at the ends of the tubes, and at her neck. She's told she'll have thirty seconds to escape, and she looks worried. Then the mask is latched over her head, the spike inside acting as a gag. Her toes wriggle, and her hands writhe, but it's obvious she can't escape. The blades snick closed, plunging into her legs, arms, and neck. One by one, each piece is removed and taken off the stage.
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12/2/15
She steps up onto the stage. The Magician shows off a barrel. He pulls off both ends, shows it empty, then places the bottom back, and sets it on a low thin table. He has her climb inside, and he has her push her hands through holes in the lid, where he shackles them in place. She crouches and he locks the lid down, trapping her inside. He slides swords between the staves of the barrel at the top until they pierce through completely. He repeats this until the sword are a ring through all the staves, then places a ring over the top. Slowly he pushes it down, pushing the blades down with it- slicing through whatever's in their path inside the barrel- namely his volunteer, who's hands stop moving halfway through. He pushes the ring to the complete bottom, then removes the bottom of the barrel.
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3/15/16
Ashley steps onto the stage, in her tight pants and top, bra visible through her shirt. She steps up to the thin, narrow board, covered with holes, and takes off her shoes, then leans back against it, arms at her side. The U-bolts are placed over her wrists and ankles, and secured against the back, locking her down against the board. It is tilted back, and the top brought out, matching holes drilled through, with sides nailed in place. It is lowered over her and onto the board she's secured against, then screwed in place from behind, preventing her from escaping. A sillouette outlines her position on the front, and the backlight shows her body obscuring the holes. The box is placed over the bed of spikes, with the presses on each of the four corners. Her body rests against the spikes, keeping it from sinking down, until the presses are engaged with the wheel, the board on top slowly pushing her against the spikes, until, finally, they push through and emerge through the holes, completely penetrating the box, and impaling Ashley, still trapped inside.
"Hey," she says from within, as the buzzsaw is brought out, and placedbehind the box, between the spikes that are arranged in rows. The saw is turned on, and the box pushed onto it, so it passes between the feet of Ashley's silouette. Slowly it is drawn up towards her body, then through it, slicing the box in half lengthwise. The saw is drawn out the top of the box, and two metal blades are slid into the cut, dividing it in half. The two halves are pulled apart, one half of the victim in either side, impaled and sliced.
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5/19/16
The tiny box is brought out. A volunteer is called up onto the stage. She smiles and looks around, then steps inside the box as asked. She curls up, but can't fit. The magiian suggets she remove her clothing as it might be restricting her. She shrugs and pulls off her blouse, then unbuttons her jeans and slides them down her legs, stepping out of her shoes. She again crouches in the box, but doesn't quite fit. Before the magician can say anything, she stands, reaches behind her back, and unclasps her bra, letting it fall, and slides her panties down her legs, kicking them off. Completely naked, she crouches in the box, and the magician closes the lid, then sits on it to force it latched shut.
He opens a panel, uncovering one clear wall and letting the audience see the girl wedged inside. She waves, and he closes the panel again. Then he pulls out the swords, and, one by one thrusts them slowly through the box from every angle. As tightly as she is squeezed inside, the girl has no chance of avoiding the blades. Soon the box is full, and the magician opens the panel- showing how they pincushion her. She waves, her hand free, though her lower arm is impaled and stuck in place. She smiles and winks, and the magician closes the panel.
Then he brings out the blades. One by one they are thrust through the box, down the center, slots leaving room for the swords as the whole container is split in half, along with the volunteer inside. He opens the panel. She is still inside- the blades splitting her body in halves.
Then the magician pulls the two halves apart, making space between them, and removing the panels from the rest of the box, giving a clear view of the girl in her predicament. She does not wave, her hand hangs limp. The magician wheels each half off separate sides of the stage without bothering to restore her.
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6/28/16
The glass coffin is brought out, the side walls clear, the front and back covered. She smiles, and steps inside, hands over her breasts and crotch, until the lid is slid in place. The space inside is tight and she puts her arms by her sides, and the coffin is turned to show her naked form inside, held in place by the walls themselves. The spikes are brought out, and the coffin is rested against them. Slowly the wheel is turned, and the spikes push through the rear wall of the coffin, slowly impaling the naked, helpless girl within. Soon the tips emerge from the front, though we still see the girl inside from the side, pressed against the cover.
The box is turned and the lid removed. Her arms hang limp. One spike emerges from each breast, having pierced through her nipple. Below, another spike emerges beneath her sternum, and another through her bellybutton. Yet another has impaled her through her nethers, springing forth through her pubic hair. Her mouth hangs open, a spike slipping out between her teeth. She has been fully impaled on the sharp steel. Her eyes flick upen and she blinks...
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7/20/16
The magician invites her onto the stage, and asks her to examine the small metal box, which is open on one side. She sees it is solid and welded together. There are thin slots across its surface. He asks her to climb inside, but of course she's too big to fit inside completely.
A second box is brought out, much like the first. The bottom has two holes in it, though. He flips the box over and has her place her hands through the holes, then handcuffs them in place so she can't remove them. He places the box over her head and has her crouch in the first box. He slides the second box over the first, and it fits inside, leaving her in a double-height metal box. She wiggles her hands.
He pushes down onthe box, sliding it inside the first one, and compressing his volunteer within it. Soon it is completely inside the first box- having squished her into a space she could not have fit in before. He latches and locks the box in place, sealing her within its double walls. Again, she wiggles her hands.
He reveals swords, and slides them into the box.
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8/16/16
She is brought oout onto the stage, wearing only a bikini. Her wrists are handcuffed, and she cruches as a bag is pulled over her, leaving only her arms exposed, and the drawstring is pulled, till only her wriggling hands are seen. She is placed inside the clear plastic box, and swords are brought out, and thrust through the walls, visibly penetrating the sack from all sides, until she has been turned into a pincushion, traped in the box and unable to move.
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8/29/16
She steps onto the stage. The low table is wheeled out, and she sits on it, curling up tightly as the back and two sides of a box are placed around her. She waves and crouches low as the top is put on, then the front covers her and is locked in place, shutting her inside the small box.
A small door in the front is opened, and she pushes her top through the hole, then waves. Swords are slid into the box. Again, the door opens, and she pushes her skirt out. More swords are thrust through, but she still manages to push her bra, then panties, out the small door.
A large block is pushed into the side of the box, taking up most of the room, but the door opens and she still sticks her hand out, keeping it waving.